EARLY PRE-PRODUCTION
An unimpressive sketch I doodled while talking to the gamedirector about setting the game in Shanghai. Non flashy as it may be, it still prooved to be very close to the final game. Copyright IO Interactive
RESEARCH
Select DV screenshots that inspired and helped define the final look of the game. Copyright IO Interactive
STYLE DEVELOPMENT
Some early R&D shoving a rough version of the AD intention. To create a blisteringly real experience, as well as a unique and recognizable style through the use of badly compressed digital imagery. Copyright IO Interactive
CONCEPT ART
Typical step-by-step process for detailed environment concepts based on a grey box level layout.
Copyright IO Interactive
INGAME SCREENSHOT
Copyright IO Interactive
INGAME SCREENSHOT
Copyright IO Interactive
INGAME SCREENSHOT
Copyright IO Interactive
INGAME SCREENSHOT
Copyright IO Interactive
INGAME SCREENSHOT
Copyright IO Interactive
INGAME SCREENSHOT
Copyright IO Interactive
COVERS AND MOCKUPS
Here I was experimenting on ways to get across the intensity of the ingame experience. This artwork is primarily made of older Kane & Lynch artwork done by talented colleagues: Balasz Kiss and Anders Poulsen
Copyright IO Interactive
HITMAN 2
Art Direction - Console & PC - 2018
I have served as Art Director on different HITMAN projects for several years, in Copenhagen, in Montreal, and on both AAA and mobile titles. This has resulted in conceptual work and world building for the HITMAN universe, as well as plenty of location work, concept art and design.
Currently I am the Franchise Art Director of HITMAN at IOI in Copenhagen.
© IOI / © Square Enix
HITMAN GO / Sniper
Art Direction - Mobile - 2014/2015
I served as Studio Art Director for Square Enix Montreal during the development of Go and Sniper.
© IOI / © Square Enix
HITMAN
Concept Art, World building - Console & PC - 2016
My team and I worked on several concepts for the HITMAN universe. Some of this work is evident in HITMAN (2016).
© IOI / © Square Enix
Kane & Lynch 2: Dog Days
Art Direction - Console & PC - 2010
Early pre-production sketches, screenshots and various other work, illustrate the bold stylistic choices the team and I made while establishing the art direction of this youtube inspired crime shooter.
Pre production experimentation focused on the vague poetry of urban loneliness, as well as the aesthetics of ubiquitous cheap camera lenses and their signature visual artifacts. To get the right visuals, we spent a lot of time analyzing what has now become cornerstones in game engine rendering; chromatic abberation, spherical lens distortion, sharpening and edge enhancements. As well as pixelation, MPG compression artifacts, buffer error glitches and vertical CCD overload lens-flare streaks. All in pursuit of redefining the ever present term "gritty".
A project that sought to comment on the video game medium as well as twitchy trigger fingers and what consequences these generic game actions might have in the real world. A real world as seen through a cheap camera lens. Naturally.
Some of the artwork in the cover mock ups contains artwork of colleagues Balasz Kiss, and Anders Poulsen.
© Square Enix
Kane & Lynch: Dead Men
Concept Art etc. - Console & PC - 2007
On Kane & Lynch: Dead Men I got hired as a concept artist, but ended up doing many different tasks: Concept art, modelling, texturing, matte painting, level layout, lighting, post effects and colour grading, box cover concept art and press imagery.
© Square Enix
HITMAN: Bloodmoney
Internship - Console & PC - 2006
I was interning as a concept artist at IOI during the production of HITMAN: Bloodmoney.
From the archives ;)
© IOI